Elsewhere
Not trailers. Camille publishes the complete sixteen-minute cut, because a ninety-second highlight reel tells you nothing about whether you would want to watch your own wedding.
A four-minute film is a trailer for a day you already attended, and nobody watches it twice. Sixteen minutes holds a whole vow, an entire speech, and the silence before someone starts crying — which is the part people come back for.
Every film is scored by Camille on the upright piano in the workshop, and the audio is almost entirely what the microphones heard on the day.